tirsdendreams: (unknown danger)
I don't remember the name of the guy who the dream cast with Leonardo DiCaprio, so we'll call him Leo. He's a rising star business mogul who lands a pretty, blonde trophy wife and is making money hand over fist. They have two kids (one boy, one girl). One day when Leo is off at work, the wife is teaching the kids to cook while someone is visiting (it felt like an interview almost but I'm not sure on that detail now). The kids are using sharp knives but the wife insists she's taught them well.

The little girl goes, "Ouch mommy, I cut myself!" and has a bleeding finger but it's not super-bad. The mom starts looking at it but suddenly her own nose is bleeding and she's getting kind of out of it. I have no idea where the visitor went but the mother ends up sitting on the floor leaning against the fridge with her two kids sitting with her and she's half out of it saying weird stuff (I don't remember what she said anymore). The kids just seemed to be sitting there listening to her quietly.

Later on, Leo is writing a love letter of some sort about how he feels like he hasn't spent enough time with his wife lately and he wants to make that right. She comes in while he's writing and finds a half-finished, rejected version of the letter on the desk where he was initially writing (he's moved to another part of the room and hasn't noticed her come in). She goes over to him and seduces him, not like that wasn't kinda the whole idea anyways. But it really felt more like she was seducing him than responding to his written overtures.

The next scene is the family on a four-person swing (each person sitting side-by-side) that is set up to have a really nice view at a place like a botanical gardens. I think Leo and his wife were talking about something but I don't remember what anymore. The only thing I really remember thinking was wondering if that chain would snap. But it didn't, so I think the scene was mostly there to imply things were supposed to be going somewhat properly with the family again, but it still had a sense of foreboding.

The next part is years later, the little girl is now a teenager going to the beach with her mother. Everyone is in bathing suits and the daughter is smokin' hot. The dream perspective switches to her, so I'm the daughter now. We spot someone we know who sells makeup, and rush up to her excitedly. The lady sets out things on the sandy/rocky ground where she is. I see a couple of just-released sample boxes and pick one up, asking if I can have it and the lady says yes. I say I'll definitely be placing an order but I'll be right back.

I hurry off along the beach on my own. I think the idea was I was going to talk to some friends further along, but I end up finding a few guys my age who I sort of know. They're hanging out in a rockier area with my uncle Nick (who is Nicolas Cage). While I'm talking to the other boys, Nick asks me if I'm still dating that one guy and I say something like, "No, we broke up." He goes, "Awww, maaan!" with a tone that doesn't mean he's sad about the breakup but that he's wishing we weren't related because now I'm available. Way to be obvious about it, Uncle. xP

Anyways I'm still talking to the other guys and they're telling me about an incident I vaguely remember hearing about, where a boat got wrecked in a storm a while back. I remember mentioning during the conversation that I had a boat myself, and couldn't understand why someone would leave theirs unmoored to get trashed like that. Turns out the boys had been in that storm and something had attacked the boat. And my mother had subpoena'd the boys for the chunk of the creature they'd managed to keep. This made me double-take, that my mother had anything to do with it, and what the heck do they mean by creature? I was trying to ask them more about this creature, and got the impression of a goopy purple thing with a few tentacles. It didn't sound like an octopus, but the sort of thing that suddenly made me think there was something supernatural going on.

Here dream logic really messes with things because I'm trying to hear what the guys are saying but they're all suddenly very tiny and wet sand is almost covering them up. I call to them and say I can't hear them, and then I say something like, "My mother must be blocking you!" I look down the beach and I think she was down that way somewhere, probably coming my way, but that's kinda fuzzy. I decide to head out into the water to swim away and find somewhere further around some rocky outcroppings where I can stop and try to think about what the heck is going on.

The makeup sample thing I had has vanished to forgotten-plot-element-land, but hey, it's cool, I have a huge crab pet now magically, who seems to understand when I talk to him and squeaks back all cute-like. I tell him we're gonna go for a swim, and while the actual swimming part makes very little sense, the crab also decides to have a piggy-back ride on my shoulders while I'm swimming. He's heavy, but I keep going anyways.

Then I woke up.
tirsdendreams: (redefinition of me)
I was Jet (from Cowboy Bebop) for the first part of the dream, and while Spike went off to do something else, I was tracking something down with a picture. I showed the picture to someone and they said it was Whidby Island. So I went to Whidbey Island and matched the picture up to the Seattle skyline (pretend that makes sense... nevermind that Seattle looked just fine and this is supposedly Cowboy Bebop era of post-apocalyptic Earth). I remember the sky being close to dark, and night fell as the plot continued.

Somehow I deduced that the place I was looking for was under the water. So I started swimming, only to see Spike up ahead on a small rowboat. Apparently he was following the same trail and didn't want to tell me about it. So I caught up and we decided to solve this thing together.

The dream plot now insisted we were trying to rescue some lady from inside an underwater lair. We put on breathing helmets and dove down where we could see something below and the place ended up being a huge rounded tower thing with a lot of stuff sticking out the sides of it. There was something about getting too close to the windows being a bad thing, related to explosives in the water around the tower... but memory is fuzzy there. There were a few windows in the side of the tower as well.

My point of view changed to Spike now, and as Spike I found an interface device further down the tower's surface which was obviously the way to get in. It looked like I had to put my hand inside a hole next to it, and I could feel a hypodermic needle device get very close to my thumb. So, if I screwed up the code, it would inject me with something nasty. The code screen ended up being a game of tic-tac-toe. While I was stressing out trying to remember how to beat the game via the usual trick, three moves into the game, the x's and o's rearranged themselves... and there were more squares to fill in around the edges of the usual 3x3 grid.

I said, "F*$# this," and pulled my hand out. If they were going to make it so complicated, why didn't they just use a regular number keycode? I vaguely remember being able to communicate with the girl inside the tower somehow, and we were going to use the explosives to blow a hole in the windows and get her out...

Then I woke up.
tirsdendreams: (redefinition of me)
I was a kid, maybe 10? Maaaybe 13? Not sure, I just know I wasn't an adult or a late teenager. I was working in the Australian outback, somewhere not completely red dirt but not lush tropics either. I was a farm hand or animal specialist for a huge bunch of acreage surrounding a station (Aussie farm house complex). I was quite a ways out, I'd just found a large pig/boar that belonged to the station owners, and its ear was stuck in what looked like a bear trap. I didn't want to hurt the pig but I knew I was going to have to cut through it's ear to get it out. Then I realized I hadn't called in to the station for my usual check-in so I decided to do it now since I was thinking of it. (Maybe I was stalling on hurting piggy.)

I got out my long-range radio and made the call in, something like "This is [whatever my name was] checking in, blah blah blah [progress for the day? my location? I forget...], over." I realized that I hadn't extended the long antenna on my radio so I did that and waited. My signal going out should have been strong enough without the antenna, but incoming stuff would have been unrecognizable at the distance I was out. I kept waiting. That's odd, it never takes them this long to answer. Then I finally got something, but it didn't sound like a reply to me, and it was only coming in bits, most of it garbled. But the end result was that someone had apparently attacked the station ("murders") and that all pilots should fly out immediately if they were still able, and all people in the field should get as far away from the station as possible. The message ended abruptly.

I glanced back towards where I could barely see the nearest station building in the distance and I could just make out strange men wearing all black moving about the complex. Then I saw a bush pilot who'd made it to his plane just in time, it came soaring over my head as I began booking it away from the station. I didn't bother waving, I didn't want him to try and stop to pick me up. We'd both die if he did that. There wasn't a moment to spare. I know he could see me running as he flew over, and I imagined him wishing me luck. I wished him back the same. And I was really glad I had brought enough supplies in my pack for a day or two in the outback. A hundred yards or so later I heard a shot that sounded awfully close, much closer than the station. The bad guys had shot the pig.

I ran and ran and reached the outer perimeter fence. I tested it with the back of my hand, thinking it was the wrong season for it to be electrified, and I wasn't even sure which part would be electified, as that wasn't something I'd had to deal with since I usually didn't leave the property while I was out checking on animals and such. The fence was fine, so I started climbing (it was a very tall fence) but at the top was what definitely looked like wires that were there for electrical stoppage of animal leapage. By this time though I was pretty sure it was the wrong season to have them turned on (we had nothing on the property that'd try and get out at the moment, right?...right...). This wiring also checked out okay, so I grabbed it and virtually vaulted myself over the top of the fence and clambered/fell down the other side.

It was getting kinda late now, the sky darkening quickly. I dashed across the road that ran along the fence line and climbed the next fence into our neighbor's property. I didn't know these people all that well and I wasn't sure they were considered friends or if they had any clue what was going on back across the road. But I was fleeing certain doom and didn't care if the owner yelled at me for tresspassing. I'd be off his property before long anyways. Just passing through, y'know. The main farm house was nearby and I ran past it just as the owner's wife (I think) walked out onto the porch with a load of wash. I think she said something to me, but I was still running and past her and not about to stop. I imagined her telling her husband about "that kid from [whatever name] Station was doing odd things today" when she might next see him. I couldn't exactly stop and ask her for help, because I was convinced the bad guys were too close and even one minute lost would cost me my life. These people weren't associated with my station, surely they'd be safe from the ire of the bad guys. That or if I stopped they'd kill us all. May as well run.

I was out in a back field now, and I thought one of the farm dogs was chasing me. It was dirty and barking like mad at me. No, it wasn't a strange dog... it was Bucky! My dog! I thought for sure he'd died back at the station where he'd been earlier that day. He was the kind of dog that would have tore into the bad guys as soon as he knew something was wrong. I hadn't figured he'd live through that. I stopped to check on him, his back legs didn't much seem to want to work anymore. On closer inspection, there was a nasty cut along one of them, and no doubt he'd caused himself considerable pain trying to catch up to me. Maybe there was something else wrong... but I didn't have time to look now. I picked him up even though he was not a small dog and kept running. He licked at my face, thanking me, happy to be with me again, wishing he could run with me and not be a burden but at least happy to be here with me now.

I reached a river shortly thereafter, and there was a boat on it that had just cast off. It was very dark now, and it took me a moment to realize it contained a couple guys who worked at my station! They pulled back to the shore to pick me up and I scrambled in with Bucky, telling them to go as fast as they could away from here. The motor put us out in the current fast, and it didn't take me long to explain what I knew about the evildoings back at the station. My fellow workers were supposed to be going to Melborne (I think?) for something so that was our target as it would be a good place to go for help. Who'd guess where we were going now that we'd hit water, assuming the bad guys could track us this far?

That's all I remember.

thoughts )

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Character Sheet

Description:
There's a land somewhere deep in Tirsden's subconscious where chaos holds sway and pigs fly.

Strengths:
Often vivid and exciting, like a script yet to be written.

Weaknesses:
Nightmares and episodes of wakefulness.

Special Skills:
Flying, gender switching, lucidity.

Weapons:
Dream logic.

Special Moments:
Being Riddick and kicking ass. Being "Bea" from Kill Bill and kicking ass. Being Indiana Jones and kicking ass. Generally... kicking ass!